CompletedSchizophonia nº1a
An étude for cello and live effects that explores the separation, transformation, and renewed perception of instrumental sound.
Research · Performance · Technology
musician, inventor, sound designer, educator.
In this TEDx talk, Matías Homar explores how music, technology, and human connection can create something alive, unpredictable, and deeply collaborative. Through interactive wearable devices that transform movement into sound, he reflects on creativity, error, and enactive composition: the idea that art emerges through listening, adaptation, and shared experience.
The talk proposes that differences, imperfections, and interactions are not obstacles to creation, but the conditions that make meaningful connection and innovation possible. It also reflects on collaborations with dancers, students, and communities, presenting technology as a tool for creativity and human interaction rather than as an end in itself.
This talk was presented at an independently organized TEDx event. Learn more about the format at TEDx.
This 15-minute documentary presents Open Futures 2024 and follows six selected artists: Stephanie Keane, Paddy Mulcahy, Matías Homar, an0th3r.l0p3z, Billy Kemp, and Sophie Hutchinson as they investigate new possibilities through movement, technology, and collaboration.
Documented by Lucy Dawson and edited by Dawson with Open Futures co-curator Laura Murphy, the film offers a view into the artists’ research processes and the shared work developed across two residency periods in Limerick. The participating artists work across dance, music, digital, and screen-based practices, testing ideas and methods at the intersection of movement and technology.
Also featured are Open Futures co-curator Jürgen Simpson, masterclass facilitators MHz (Bex Anson and Dav Bernard), and Andrew Quinn.
Guitarist and performer working across experimental music, contemporary composition, improvisation, and Argentine and Latin American traditions.
Composer of solo, chamber, electroacoustic, multimedia, and spatial works.
Designer and builder of custom interactive instruments, wearable controllers, and movement-responsive sound systems.




Matías Homar is a composer, guitarist, sound designer, educator, and interactive instrument designer from Salta, Argentina. His practice connects composition, embodied performance, custom technologies, spatial sound, and Argentine and Latin American musical traditions. His projects include the award-winning GEP Contraption, wearable interfaces, electroacoustic works, installations, and collaborations across music, dance, visual media, education, and community engagement.
I’m always excited to connect and collaborate! If you’re interested in my music, interactive instruments, or upcoming projects, feel free to reach out. I look forward to exploring new ideas and opportunities together.
MIDI Innovation Award Winner 2024
Hardware Prototype/Non-commercial Category
Follow my music, performances, projects, and ongoing work.
Selected Research
CompletedAn étude for cello and live effects that explores the separation, transformation, and renewed perception of instrumental sound.
OngoingA collaborative dance, sound, and visual project in which a wearable interface transforms movement into live sonic and visual processes.
OngoingA touchless MIDI controller and instrument that uses ultrasonic sensing to turn movement through space into notes, continuous control, and live musical interaction.
Works
Works for instruments, electronics, ensembles, spatial systems, and performance.
Custom interfaces and responsive systems developed for embodied musical interaction.
Installations, field recording, spatial sound, interdisciplinary work, and experimental listening.
About
The About section brings together biography, artistic practice, teaching, and curriculum vitae in one place.
Contact
Use the contact page for project inquiries, presentations, workshops, and artistic collaborations.